The thick two-tone stripe jersey is synonymous with the outlaw biker scene of the 1950s. Aesthetically reminiscent of prison stripes, club members adopted these jerseys, often worn under biker ‘cuts,’ as a counter-culture rejection of the dapper style of pre-war motorcycle meet-ups. For many veterans, motorcycling emerged as a substitute for wartime experiences, and the act of men socializing post-war was in itself an anti-establishment concept. This, combined with the more casual, rugged aesthetic of men returning from the war in Europe, redefined the prevailing style of American motorcycle club members, particularly in the ‘outlaw’ clubs on the fringes of biker culture.
SPECIFICATION

